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Screw Barrel Microscope, Sector Stand Reproduction, Culpeper, c. 1720
Edmund Culpeper, born in the late 1660’s, was apprenticed to Walter Hayes, a famous engraver and instrument maker of Moorfield, London. The elaborate hand engraving of this microscope is an exact duplicate of the original.
This instrument was reproduced from the original antique microscope #0204 in the McCormick Collection.

STAND: The brass tripod foot is an adaptation of a 4 1/2″ sector. A turned pillar rises 6 1/4″ from the sector center, terminating in a ball and socket joint with a slot cut away to permit upright position of the microscope. STAGE/SUBSTAGE: The modified Bonanni stage has a steel spring, two brass plates, and a third curved brass plate and leather pad to hold a slider or glass tube. A 3/4″ condenser lens exists at the screw barrel end; a 1 1/4″ condenser lens is mounted on the stand by a knuckle jointed arm. The 13/16″ single concave mirror on a gimbal attaches to the pillar. BODY: The screw barrel brass body consists of a threaded screw and hollow sleeve. The compound body is made of ivory. OCULAR: The compound body contains one ocular at the proximate end. OBJECTIVES: The screw-barrel has six simple lenses and one Lieberkuhn lens. The compound body contains one objective. ADJUSTMENT: Coarse adjustment is by means of a long screw and also with a draw tube for the compound instrument. ACCESSORIES: Accessories include brass tweezers, pencil brush, case for Lieberkuhn lens, ebony handle, extension of opaque objects, stage forceps, forceps plate, brass animalcule cage, and four ivory sliders. CASE: The black Moroccan skiver leather covered wooden case, 8 9/16″ L x 5″ W x 2 1/8″ H, is lined with dark green velvet. TOTAL HEIGHT: The compound microscope closed is 5 3/4″ long. The microscope on stand in horizontal position is 7 1/2″ tall. SIGNATURE/ENGRAVING: “Culpeper Fecit” is engraved on two folding arms of the sector stand. Engraved along the hollow screw-barrel sleeve is “Culpeper Fecit.”, and on the forceps plate, while on the other, Culpeper’s name is surrounded by a garland emblem. The sector stand has an ornamental motif at the base center. The simple lens mounts bear engraved numbers 1 through 6. The Replica Rara stamp and serial number is located on the underneath side of a sector foot. Price: $2,400.00
Compound, Screw-barrel Microscope, Wm. Robertson “Edinburgh” Reproduction, c. 1750
This instrument, which converts to a solar microscope, is an unusual modification of the screw-barrel microscope. The Scottish instrument maker, William Robertson, issued a pamphlet describing this “New Catadioptric Microscope.”
This instrument was reproduced from the original antique microscope in a British museum collection.

STAND: The ornately engraved base plate, supported by three 1/2″ feet, forms the mounting base for 3 scrolled brass legs 4 1/8″ tall. A brass ring receives the legs and is a seat for the turned wooden section on which the body sits. STAGE/SUBSTAGE: A modified Bonanni type stage is fixed with 2 brass plates on both sides of a central curved plate. A set of leaf springs are riveted to press against their respective set of brass plates located below. A 15/16″ diameter plano convex lens screws into the brass and wooden mount in the optical axis. The plane oval mirror is on a gimbal hanging from the curved brass arm. BODY: The screw-barrel incorporates a 1 7/8″ plain brass tube and two open brass sleeves which slide over the inner tube. A brass tube, 1 3/4″ long, with a wooden eye piece, forms a compound body. It screws to the upper end of the screw-barrel body when a single lens is in place. OCULAR: The compound body wooden mount has a 3/8″ diameter ocular. OBJECTIVES: Any of the 5 simple objectives in brass mounts or the Lieberkuhn lens screw into the screw-barrel sleeve. ADJUSTMENT: Coarse adjustment is obtained by sliding the middle sleeve on the inner tube; a thumb screw sets its position. The Cuff-like screw actually has a two start thread which gives rather rapid movement to the outer sleeve. ACCESSORIES: Accessories consist of a fish tube, stage forceps, micrometer with a wire 1/60 inch, carrier for forceps or micrometer, pencil brush, 4 ivory sliders, and a pair of tweezers. CASE: The wooden case (10 5/8″ H) with a decorative latch, has a bottom accessory drawer and 2 small top drawers. TOTAL HEIGHT: Simple microscope is 8 1/4″ tall; compound is 10 3/4″. SIGNATURE/ENGRAVING: “W.R. Fecit” is engraved along the outer sleeve. Each objective is engraved with a Roman numeral 1 through 5. The Replica Rara stamp and serial number are engraved underneath the triangular base plate. The serial number is also etched underneath the brass mounting ring. Price: $1,950.00
Compound Microscope, J. Cuff Reproduction, c. 1757
This important design was devised by John Cuff, in 1744 at the suggestion of Henry Baker the well-known 18th century microscopist. The most significant innovation is in the composite side pillar, which gives rigidity, enabling the instrument to be provided with a delicate fine focus.
This instrument was reproduced from the original antique microscope in the McCormick Collection.

STAND: The instrument foot, a 6 3/8″ square box with accessory drawer, is made of oak, veneered with mahogany. The base pedestal, a composite brass pillar 9 7/8″ tall, has a body mounting arm, 3 1/8″ long, with a ring at the end. STAGE/SUBSTAGE: The fixed stage of a Maltese cross shape, has a 1 1/4″ central recessed aperture, plus two stage openings, and two substage clips for accessories. A 1 3/4″ single concave mirror is set in the optical axis. BODY: The 4″ tall body, with 2 1/2″ long nosepiece, has three ornamental ridges. The eyepiece has a sliding dust cap. OCULAR: The ocular is a biconvex doublet eye lens of 11/16″ diameter and a second 1 1/4″ diameter lens located near the middle ridge. The biconvex field lens is also 1 1/4″. OBJECTIVES: There are six objectives in brass mounts. ADJUSTMENT: Coarse adjustment is made by a sliding motion of the composite pillar. A long fine thread screw connecting the sliding block with the body mount arm gives fine adjustment. ACCESSORIES: Accessories are a Bonanni stage, light cone, black and white ivory disc, 3 glass plates, Lieberkuhn sleeve and reflector, stage forceps, bull’s eye condenser, live box, ebony mounted flea glass, fish plate, tweezers, 8 ivory talc boxes and a cleaning wire. CASE: The mahogany case (16 3/4″ tall) with bottom drawer has a trade card in the back giving Cuff’s address after 1757. TOTAL HEIGHT: The box foot base and closed instrument are 13″ tall. SIGNATURE/ENGRAVING: Numbers 1 through 6 are engraved on the objectives and along the right hand side of the front pillar. Circling the central stage aperture is the inscription “J CUFF Londini Invt. & Fecit.” The Replica Rara stamp and serial number appear on the pillar back.
Simple Compass Microscope, Lieberkuhn type Reproduction, c. 1800
In 1783 the German anatomist and physician, Dr. Johann Lieberkuhn, attached a concave polished silver mirror around a simple microscope objective lens. Light was thus reflected onto a solid object so that it was well illuminated from the eye side, till then virtually impossible, even though the idea had been around for approximately 100 years. Both the Lieberkuhn lens and the instrument’s portability enhanced the use of the microscope for botanical field work.
This microscope was reproduced from the original antique microscope #0212 in the McCormick Collection

STAND: The object is held with forceps which inserts into a brass fitting on the hinged compass arm. The forceps is turned by an L-shaped brass handle. BODY: The body, consisting of a brass circular ring, is mounted on a curved brass arm 3″ long. A brass eyepiece, coated black on the eye side, screws into the circular ring. LENSES: Four Lieberkuhn lenses screw into the eyepiece. Each lens is matched in focal length with its coin silver concave mirror. ADJUSTMENT: Fine focusing is achieved by turning the knurled knob to adjust the distance between the compass arms. ACCESSORIES: Accessories include a hand magnifying lens, in a lignum vitae mount, and brass tweezers. CASE: The rectangular mahogany case, 7 1/2″ L x 2 7/8″ W x 1 11/16″ H, is fitted and lined in chamois leather. TOTAL HEIGHT: Overall length with handle is 6 3/4″. SIGNATURE/ENGRAVING: The Replica Rara stamp and serial number is located on the inside surface of the hinged compass arm. Price: $625.00
Simple Microscope, Spring object holder Reproduction, Early 19th century
During the late 18th and early 19th century the interest in simple image magnification included both the serious student who might carry a small pocket magnifier or field microscope and the casual novice who might purchase an inexpensive magnifier such as the Fruitwood Continental simple microscope. Some of these devices were manufactured by “toy makers” among whom were the wooden toy craftsmen of Nuremburg, Germany. This is a contrast to the optical or mathematical instrument makers who were providers to the scientific community.

STAND: The microscope is formed by three turned wooden components: the simple round base, pillar, and an objective lens holder. STAGE: A pointed brass needle serves as the specimen mount. The coil of brass wire from which the point extends can be moved by delicate finger pressure to adjust the lens focus. OCULAR: The simple biconvex lens is mounted in the depression of a turned wooden ocular and secured in place with a brass ring. ADJUSTMENTS: In use the microscope is held between the thumb and forefingers. Fine focus is achieved by depressing the spring needle specimen mount while holding the instrument before the eye. TOTAL HEIGHT: Overall microscope height is 3 1/8 inches. Price: $180.00
Micrographia by Robert Hooke (1665)
A facsimile edition of Robert Hooke’s most profound work, Micrographia includes minutely detailed descriptions, philosophical queries, and beautiful engraved illustrations. The book was authorized on November 23, 1664 by the Council of the Royal Society of London for the Improving of Natural Knowledge.In the dedication “TO THE KING” the author pays homage to a monarch who, by power and right, ruled over all aspects of society – both individual and collective. Hooke acknowledges that “philosophy and experimental learning have prospered under royal patronage,” yet places them in perspective with the “nobler matters: the improvement of manufactures and agriculture, the increase of commerce, and the advantage of navigation.”

Hooke’s philosophy is clearly revealed in the opening words of the preface: “It is the great prerogative of mankind above other creatures, that we are not only able to behold the works of nature or barely to sustain our lives by them, but that we have also the power of considering, comparing altering, assisting, and improving them to various uses.” Hooke calls attention to the need of “rectifying the operation of the senses, the memory, and reason.” He then explains how this can be accomplished; The senses can be expanded through the extension of sight by the use of his newly designed and improved microscope; The memory is improved with his minutely detailed engraved illustrations; And the power of reason is demonstrated by recording his observations and queries, thereby revealing scientific truths and facts.
Beginning with chapter 1, Hooke systematically examines common materials and compares the unaided view with the expanded view of the magnifying glass. He notes the imperfections of man-made objects, and contrasts them with the infinite perfection of natural objects. Hooke applies his scientific method to the properties of matter, from solid to fluid. He deducts that fluidity is a property given to finely divided matter and that solubility is a property of like matter and density, i.e. oil and water. He concludes that fluidity is like fine sand vibrating on the head of a drum. A piece of cork will float to the top of the energized sand particles, while a piece of lead will move to the bottom. Hooke never ceases to observe. Whenever his eyes were open, the world around him was a laboratory. Whatever was at hand, he observed its properties. If it was snowing, or there was frost on glass, he observed the flakes and crystals. In this book, Hooke questions form, origin, and the relationship of one observation to another as he examines, describes, and comments upon a broad variety of mineral, plant and animal materials. Micrographia is a fascinating and rewarding account of a significant time in scientific history. Price: $75.00The Microscope Made Easy by Henry Baker (1769) and Pocket Microscopes by James Wilson(1706)
These impressive works review the state-of-the-art in eighteenth century microscopes. Baker wrote to those who “desire to search into the wonders of the Minute Creation, tho’ they are not acquainted with optics.” He includes complete directions on “how to prepare, apply, examine and preserve all sorts of objects: and proper cautions to be observed in viewing them.” In first presenting he book to the Royal Society of London on October 28, 1742, Baker wrote that his goal was to “attempt to excite in mankind a general desire of searching into the wonders of Nature.” Baker’s descriptions of many microscopic objects must certainly have left some readers of the time in disbelief.

The Microscopic Cabinet by Andrew Pritchard (1832)
This book describes Pritchard’s studies of the biology and anatomy of minute organisms. Is also includes a stimulating account of the author’s experiments with precious jewel lens systems in his attempt to perfect and color correct the optics of the microscope. In the preface, Pritchard provides an excellent summary of the book. “While almost every part of nature has within the last few years been explored, and our knowledge augmented, the living objects described in this work, have been nearly overlooked by naturalists, and such representations as we possess of them are delineated in the most incorrect and grotesque manner that can well be conceived; for these reasons the Author has presumed to call the attention of the public to this interesting branch of natural history.”

Practical Treatise on the Use of the Microscope by John Quekett (1848)
Quekett provides an authoritative history of the microscope from ancient times to the perfection of the achromatic lens… This book is a classic of the mid-19th century and a model for contemporary text design. In the Preface, he acknowledges the importance of the microscope as an instrument second only to the telescope. He also expresses the need for a generalized book of instruction applicable to any instrument. Finally, he attributes the extensive sections on microscopical specimen preparation to his own experience and expertise. The book opens with a 46-page history of the microscope that perhaps is one of the most accurate and detailed ever written.

An excellent review of ancient literature traces the history of the magnifying lens, or burning lens, from Aristophanes in 500 B.C. to Seneca in A.D. 65, Pling in A.D. 79, Ptolemy in A.D. 100, then on to Bacon in 1551, Fontana in 1618, and Drebbel in 1621. Quekett then moves on to the celebrated Robert Hooke in 1667, discussing the work presented in Micrographia. He then weaves an accurate and well-written history of the development of the microscope through the next 150 years. The author’s valuable and lucid chronology for the solution to chromatic distortion in the objective lens systems of the compound microscope is a classic.
He relates that this problem was first described by Chester More Hall of Essex in 1729. In 1747, Euler experimented and produced an achromatic object glass. In England, Dollond was stimulated by the work of Isaac Newton on color dispersion of white light to do experiments that produced color corrected telescopes but not microscopes. Chevalier, in France, reported on a 1774 article from St. Petersburg that provided detailed instruction to form an object glass of three elements the first and third of crown glass and the second of flint. Further, Quekett relates that in 1812, Sir David Brewster rendered both simple and compound instruments achromatic by the use of an immersion oil bridge between the objective front lens element and the specimen being examined, and at about the same time, Professor Amici of Modina was experimenting to improve the image. His work passed on to Goring and Cuthbert, who improved upon his design by producing a reflector-based achromatic microscope. Finally, Quekett reports that in 1829, Joseph Jackson Lister Esq. read his paper to the Royal Society in which he described the method of making the most improved achromatic objective lens systems. This book then describes a number of microscopes and instruments using beautiful woodcut illustrations. Detailed descriptions of the rationale and function for each instrument are also provided. Part two of this treatise provides detailed instructions on the use of the microscope. Quekett explains how to create optimum illustration with carious lenses, substance conditions, and lamp relationships. He then provides various methods for preparing specimens for microscopic examination. This book is a classic of the mid-19th century and a model for contemporary text design. Only 17 left! Price: $75.00The Achromatic Microscope by Richard Beck (1865)
The author of this treatise writes in great detail on the construction, proper operation, and capabilities of Smith, Beck, and Beck’s achromatic microscopes and accessories. It is a rare description and detailed instruction on the use of an advanced design achromatic microscope and numerous special accessories. He begins with a description: “A Compound Achromatic Microscope consists essentially of two parts, an object-glass and an eyepiece – so called because they are respectively near the object and the eye when the instrument is in use.

The object-glass screws, and the eyepiece slides, into opposite ends of a tube termed the ‘body’, and upon the union of the two the magnifying power depends. The microscope-stand is an arrangement for carrying the body; and is combined with a stage for holding or giving traverse to an object, and a mirror or some other provision for illumination.” He then describes each part individually: Microscope Stands, The Stage, The Mirror, The Substage, Revolving and Folding Bases, The Eyepiece, The Object-glasses, The “Universal Screw”, and The 1/20th Object-Glass.
Beck goes on to describe the proper operation of the microscope, beginning with the management of light. He explains the methods of transmitted illumination – how to use the mirror, the diaphragm, the achromatic condenser, tests for object-glasses, adjustments for high powers, tests with the Podura-scale, methods of measuring aperture, “lined objects” as tests, Nobert’s lines, and oblique illumination. He then explains the methods of illumination from above – how to use the slide condensing lenses, the slide silver reflector, the Lieberkuhns, forceps, and the opaque disk-revolver. Beck continues by providing specific instructions on viewing test object such as the splinter of a Lucifer match, the Podura-scale, the tarsus of a spider, the feather of a pigeon, and the Arachnoidiscus Japonicus. Another section of the book discusses polarized light as applied to the microscope. Specific methods are detailed, including the use of Nicol’s prism, the selenite plate, Darker’s retarding-plates of selenite, Darker’s selenite stage, tourmalines, polarizers for large objects, experiments with double-image prisms, and crystals to show rings. Beck also describes and explains Wenham’s binocular body for achromatic microscopes. He defends binocular vision and praises Wenham for making a major contribution to microscopy. Sundry apparatus is also described, including live-boxes and troughs, the screw live-box, lever compressors, Wenham’s compressor, reversible compressors, the frog plate, the camera lucida, micrometers, Quekett’s indicator, double and quadruple nosepieces, Leeson’s goniometer, Maltwood’s finder, and microscope lamps and tables. In addition, Beck also discusses the third class microscope for students, the universal microscopes, and single microscopes and magnifiers. Finally, he describes various instruments used in preparing objects, instruments and materials used in mounting objects, and microscopic cabinets. This classic text is the most complete and detailed description of the component parts and functions of a “modern” compound microscope. Only 4 left! Price: $60.00The Microtomist’s Vade-Mecum by Arthur Bolles Lee (1885)
Lee presents an organized collection of 660 tested reagents and procedures for fixing, staining processing, mounting and demonstrating all manners of biological and histotechnological material as known up to the publication date of 1885. As Lee points out in the preface, the book provides “a concise but complete account of all the methods of preparation.” The introduction explains the purpose of the book, which is to provide zoological scientists with a collection of microscopical methods to participate in a wide list of needs. It is intended to reveal additional information from the images of nature viewed or enhanced for study through the microscope.

A History of Microtechnique – SHL 2nd Edition by Brian Bracegirdle (1987)
As Bracegirdle explains in the preface, “This book sets down the main facts of the evolution of the microtome and of the development and of the development of histological methods. The basis of the work was a comprehensive survey of the large literature and full documentation has been provided in over a thousand references…” In addition, more than 40,000 microscopical preparations have been inspected and evaluated as a check on written accounts, as have some 55 microtomes: some of these were used to cut sections as they would have been when first introduced.”

18th Century Microscopes: A Synopsis of History and Workbook by James B. McCormick, M.D.(1987)
This book concentrates on a significant period in the evolution of the microscope. As expressed in the Preface, “It is not the author’s intention to offer yet another charge of the brigade to form a comprehensive history of the microscope, but rather to dwell in the middle period of its evolution, when both simple and compound instruments were influenced by many novel mechanical designs; all attempting to stabilize the image and improve resolution.”
This book is important in understanding the assembly and function of many accessories or attachments to evolving microscopes.

McCormick begins with a brief, general history of microscopes of the 17th and 18th centuries. He discusses the significance of the microscope relative to the inventions of other machines and instruments of the period – especially the telescope.
In chapter 2, McCormick reviews the development of the concepts that relate to the optics of the microscope. He writes about magnification, refraction, diffraction and interference, refraction and dispersion, and reflection. “It is a curious fact,” he states, “that nearly 300 years elapsed between the invention of the eyeglasses, which use lenses to improve the sight of the human eye, and the earliest production of optical instruments, the telescope and the microscope. The thought of making a small, short focal length, hard lens, which is what constitutes the simple microscope, simply had not occurred to anyone.” In the next five chapters, McCormick talks about the development of the simple and compound microscopes. He focuses on the problems faced by both users and designers of these instruments, and the attempts to solve the problems by invention and, in some cases, by accident. He discusses the development of the compass microscope and the Lieberkuhn reflector. He continues with the evolution of the compound microscope, highlighting the contributions of Edmund Culpeper and James Wilson with their screw-barrel designs. McCormick then goes into some detail about the modifications that were applied to the basic designs. He discusses the Edinburgh Wilson Screw-Barrel Microscope, the Solar Microscope, the Double Reflection Microscope, and the Culpeper-type Microscope. Finally, McCormick describes the development in 1744 of the Cuff-type Microscope, which is the forerunner of the modern microscope. “Mechanically, this instrument is far superior to any of its predecessors. Its advent ushered in a new trend in microscope design. All major instrument makers copied or made slight alterations and modifications to Cuff’s model. His fundamental structural plan prevailed for some 50 to 60 years.” He closes with a detailed description and use of a Cuff Microscope. This book is important in understanding the assembly and function of many accessories or attachments to evolving microscopes. Only 8 left! Price: $60.00Complete Science Heritage Library Collection
The History of the Microscope library set of books was prepared to make the philosophical and technological heritage of microscopy easily accessible. The set consists of a collection of eight books – six rare facsimile editions of classic science literature and two recent works concerning the development of histotechnology and microscopy. The bound books are presented in an attractive slipcase.
The Atlas Catalogue of Replica Rara Ltd. Antique Microscopes (1657-1840)
After years of searching, the Directors of Science Heritage Ltd. assembled this collection of twenty rare microscopes (c. 1675 to c. 1840). Each instrument has been selected with great care to demonstrate the development of knowledge and technology during the important phase in the evolution of science. The collection has been reproduced in limited editions for collectors and museums in all parts of the world.

The Atlas Catalogue of Replica Rara Ltd. Antique Microscopes (1675-1840) is a rare book in time. This handsome and informative special edition includes twenty full page color portraitsof the complete Science Heritage Ltd. Microscope Collection. Each microscope portrait includes all of theinstrument’s important attachments and accessories. Accompanying text description is written by Gerard L’E Turner, Associate Curator of the Museum of Science at Oxford University. An introduction to the collection and brief chronological history of microscopes is offered by J.B. McCormick, M.D.
Price: $47.50
Notes on Nursing by Florence Nightingale (1860)
The book, Notes on Nursing by Florence Nightingale, English nurse and founder of modern nursing, was first published in 1860. Treasured by nurses, this practical and witty guide to the healing arts is an exact replica of the first 1860 edition, hand-bound and gold embossed. Certainly of historical importance, these “notes” remain relevant to the healing arts as they are practiced today.
Microscopic Photographs of J.B. Dancer by Brian Bracegirdle and James B. McCormick
The Microscopic Photographs of J.B. Dancer features 265 of the 277 listed titles in the Dancer 1873 catalogue and a total of 388 from the combined Dancer-Suter lists. The 288 page, 9×12 inch deluxe bound volume of photographic art, is of special importance to those who are interested in photography, science, and social history. Each of the J.B. Dancer atlas pictures is accompanied by informative notes that form a fascinating portrait of the taste and interests of the 19th Century.

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John Benjamin Dancer was an optician who lived most of his life in Mancester, England. He was distinguished as a lecturer/scientist and was the inventor of microphotography. The Dancer microscopic photographs averaged 1/8″ in diameter and were produced as a scientific entertainment novelty to be viewed through a microscope or magnifying glass also produced and sold by Dancer.
The volume of The Microscopic Photographs of J. B. Dancer brings together for the first time a nearly complete representation of the of the 1873 Dancer collection. Also included are production slides and biographical information on each microscopic photograph. |
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Compound Microscope, Marshall’s “Great Double Constructed” Reproduction c.1700
John Marshall (1663-1725), an optical instrument maker at the sign of Archimedes and Spectacles, Ludgate Street, London, advertised this microscope for viewing the circulation of blood in 1693. For such examination the base is fitted with a lead counterweight, so the body tube can swing beyond the edge of the base support. A means for maintaining the object in the optic axis when the main pillar is inclined is also provided. This was a significant step forward in the evolution of the microscope. A hallmarked sterling registration plaque is fitted within the instrument drawer.
This microscope was reproduced from the original antique instrument #0189 in the McCormick Collection.

STAND: A rectangular mounting pillar is attached to the base (an octagonal hardwood drawer cabinet, 5 7/8″ x 8″, with the top surface veneered in birds eye maple) by a ball and socket joint which permits inclination of the pillar and body. STAGE/SUBSTAGE: The stage has a circular brass plate, 1 7/8″ diameter, with a turned ledge into which a black and white ivory plate fits. It is mounted at the end of a brass U-shaped arm which fits between a clamping but and shoulder above the ball and socket joint. This arrangement maintains the object in the optic axis on inclination. A biconvex condenser lens, 13/16″ in diameter, is attached to the side of the base with a jointed arm. BODY: The cardboard body tube, 3 5/8″ i.d. diameter, is covered with green shagreen (Dasyatis). The inside cardboard draw tube, 4 1/4″ long, is covered with a dark green leather. OCULAR: The turned wooden eyepiece contains a biconvex field lens, 2 1/4″ diameter, and a biconvex ocular, 1 3/8″ diameter. OBJECTIVES: Any of the six objectives in brass mounts, screw onto the threaded brass nose piece, 1 1/2″ long. ADJUSTMENT: The coarse adjustment is accomplished by a sliding movement of the pillar sleeve, with fixation set by a jam screw. A fine adjustment screw moves the secondary adjustment pillar sleeve. ACCESSORIES: Accessories include a fish plate, leaded coffin to confine fish, brass tweezers, stage forceps, flea glass in ivory box, and an ebony specimen holder. TOTAL HEIGHT: The microscope is 17 1/2″ tall in close upright position. SIGNATURE/ENGRAVING: Both pillar and objectives are engraved with the numbers 1 to 6; pillar marks indicate positions for the objective powers.
Olde English Tripod Microscope Reproduction c.1680
The earliest known microscopes were a cylindrical tube supported by a small tripod, a pattern which continued in some form for over 200 years. This is a reproduction of one of a rare group of English instruments of the 1680’s. The tooling is in the manner of bookbindings of the period. A study of tooling motifs has shown that all late 17th century microscopes and telescopes were made by very few workshops whose products were retailed by many London shopkeepers.
This instrument was reproduced from the original antique microscope #0141 in the McCormick Collection.

STAND: From a dark hardwood circular base rise three turned brass pillars supporting the threaded horn collar which receives the nosepiece. STAGE: For transparent specimens, the object is placed over the hole in the base and viewed by holding the microscope to a light source. For opaque specimens, an ivory disc is placed in the hole and the specimen placed on the disc. BODY: The outer pasteboard body tube is covered with red morocco, the inner with green vellum. Both are decorated with gold impressed tooling. OCULAR(S): A biconvex field lens is located at the top of the inner tube. The outer tube carries a wooden eye piece in which is a single lens. OBJECTIVES: A single objective in wooden mount is screwed to the end of the nosepiece. Four additional objectives are supplied in a circular box which screws onto the eyepiece when the microscope is not in use. ADJUSTMENT: The microscope is focused by screwing the 2″ long threaded nosepiece in and out of the collar. CASE: The circular cardboard case, 13 3/4″ tall, is covered with red morocco and decorated in gold impressed tooling. TOTAL HEIGHT: The microscope stands 11″ tall (nosepiece screwed all the way in) without its storage box top and 12″ with the box top.
Compound-Brass, Culpeper-type Reproduction c. 1750
The traditional tripod microscope was popular through the 18th century, and, this design, associated with Culpeper’s name, developed into an all brass instrument during the middle of the century. There are two basic sizes of this type among extant microscopes. The smaller, about 10-11″ tall, is more rare than the larger which is usually about 15-16″ tall.
This instrument, often called the apprentice model, is of the smaller (10-11″ tall) model and was reproduced from the original antique microscope #0188 in the McCormick Collection.

STAND: A circular brass base, 3 1/8″ in diameter, is mounted on a hardwood box foot. Two sets of S-curved ornate legs dominate the microscope’s physical design. The lower set rises 2 1/2″ to support the platform stage. The upper set extends 1 5/8″ from the stage to the bottom of the body mounting ring. STAGE/SUBSTAGE: The stage, 2 1/2″ diameter, has a central recessed aperture, a small side aperture, a keyhole, and two substage clips for accessories. A single concave mirror, 1 1/4″ diameter, is mounted on gimbal and post in the base center. BODY/BODY MOUNTING: A brass ring, mounted on the legs, receives the outer body tube, 3 1/3″ tall. The draw tube slides into the outer tube. OCULAR(S): The ocular consists of a 1 3/16″ field lens and a doublet eye lens. All three lenses are biconvex. The upper doublet is 9/16″ and lower 5/8″; 1/4″ separates the the doublets. OBJECTIVES: There are four objectives ranging from low to high power. ADJUSTMENT: Coarse adjustment is achieved by means of the draw tube. ACCESSORIES: Accessories consist of two ivory sliders, 1 corked glass tube, brass tweezers, stage forceps with black and white disc, live box, fish plate, and a Bonanni spring stage. CASE: A plexiglass covering sits on the hardwood box foot. TOTAL HEIGHT: The closed microscope is 10″ tall; 11 5/8″ with box case. SIGNATURE/ENGRAVING: Objectives are engraved with numbers 1 to 4. The draw tube is also marked with numbers 1 to 4. Price: $2,100.00
Simple Microscope, Leeuwenhoek, Antony Van Reproduction, late 17th century
Antony Van Leeuwenhoek (1632-1723), a Dutch Burgess, whose early use of lenses in examining cloth as a draper’s apprentice probably led to his interest in lens making. As a student of nature he was probably the first man to see blood corpuscles, protozoa, and bacteria. For these investigations, he designed and made a simple microscope.

STAND: The microscope is held up to the eye using the thumb screw. STAGE: A pointed rod 1/4″ long for mounting specimens is screwed into a 13/16″ long metal block or stage. BODY: The simple lens is mounted between two thin sterling silver oblong plates 15/16″ by 1 7/8″ at their greatest dimensions. OCULAR: The simple biconvex lens is clamped in a concavity formed between the plates and secured by four equidistant rivets. ADJUSTMENTS: A screw, 13/32″ long, aligns the stage and object with the lens while a thumb screw on the eye side pivots the metal plates giving lateral motion. Focusing is achieved by a second thumb screw which passes through the stage at one end and presses against the plane of the oblong plates. Turning the knob of the object holder acts as a further focusing mechanism. CASE: The plexi-glass mount and case, provided with a wooden base with mirrored top surface, is 3 1/4″ square and 6″ tall. TOTAL HEIGHT: Overall microscope length, with object spike in position before the lens, is 3″. SIGNATURE/ENGRAVING: The Replica Rara stamp is located at the base to the two oblong plates and to the right of the long focusing screw.
History of the Microscope (1665 to 1830) Collection of 25 Woodcut Prints
History of the Microscope (1665 to 1830) Collection of 25 Woodcut Prints
Study and Preparation of 17th, 18th, and 19th Century Microscope Slide and Sliders
Study and Preparation of 17th, 18th, and 19th Century Microscope Slide and Sliders
The workshop kit includes a CD instruction guide and materials to review the history of microscope slide making along with selected book references from the Science Heritage Library with classic references and pictorial instructions on how to complete the workshop. The program guides the workers hands, step by step in the preparation of eight wonderful sliders and slides with 24 wonderful samples of nature’s gifts.